The Trickiest Part About Making Mary Poppins Returns, According To Rob Marshall

Emily Blunt looking at herself in a mirror in Mary Poppins Returns

Making a sequel to one of the most beloved movies ever is already a tricky business, but it's one Rob Marshall decided he was willing to take on to direct Mary Poppins Returns. Our own Corey Chichizola had a chance to sit down with Marshall to discuss the new film, and the director told him that the trickiest part of the film was deciding when it was ok to directly reference the original film, specifically in the score, and when he needed to let the new film stand on its own. According to Marshall...

It was so strategic. We were very careful not to abuse that. Using material, music, or strains of material. Or even images from the first film. We knew we had to do it sparingly throughout. And that's what we did. We found places that we felt we had earned it. In fact, a lot of the strains of music like 'Feed the Birds' or 'Let's Go Fly A Kite' are little strains of music. We wait until the very end of the film. We feel like at that point, we've earned it. And you can't abuse that kind of thing. Otherwise you're just doing a remake, which is not what this is.

The reason Disney decided to make a sequel to Mary Poppins at all was certainly that the film is so deeply loved by so many. Fans will want the movie to make those references to the classic film they remember. At the same time, the new movie has to stand on its own and be its own story. Fans will want to keep their eyes and ears open as Rob Marshall says that those references are there but they're few and far between, as he didn't want to abuse nostalgia.

If you end up focusing too much on the old movie, as Rob Marshall says, the film just becomes a remake. Either that or your movie turns into an easter egg hunt that causes the audience to go looking for the references rather than actually watch the movie that was made.

Having seen Mary Poppins Returns already, and being a big fan of the original, I certainly noticed at least a few of the times that the score in the background included bits of music from the original film. It's incredibly well done and while the music wants you to hear the reference, it's not happening all the time, which makes those moments that you hear it feel special. I didn't notice the musical cues until later in the movie, which certainly does seem to imply that Mary Poppins Returns waited until it had earned those moments. I certainly believe it did.

The good news is that you won't need to wait too long to experience Mary Poppins Returns as the film opens in theaters on Wednesday. Check out Rob Marshall's complete comments in the video below.

Dirk Libbey
Content Producer/Theme Park Beat

CinemaBlend’s resident theme park junkie and amateur Disney historian, Dirk began writing for CinemaBlend as a freelancer in 2015 before joining the site full-time in 2018. He has previously held positions as a Staff Writer and Games Editor, but has more recently transformed his true passion into his job as the head of the site's Theme Park section. He has previously done freelance work for various gaming and technology sites. Prior to starting his second career as a writer he worked for 12 years in sales for various companies within the consumer electronics industry. He has a degree in political science from the University of California, Davis.  Is an armchair Imagineer, Epcot Stan, Future Club 33 Member.