Why Judd Apatow Isn't Interested In Doing More Freaks And Geeks

freaks and geeks

For many TV viewers, there will never be a better coming-of-age teen drama than Freaks and Geeks, which encapsulated the 1980s salad days so well, it should have been a felony when NBC cancelled it. Fans have been clamoring for a reunion, though it likely won't ever happen. When Apatow spoke with CinemaBlend to promote his excellent new Netflix stand-up special, Judd Apatow: The Return, I asked if he'd ever be interested in returning to that world and tone by spinning Freaks and Geeks into an anthology series that focused on different characters. Sadly, he's not, but for a good reason.

I'm always interested in those types of people. But I also think that a lot of people are writing about outcast kids. It's been explored on all sorts of different shows since we did Freaks and Geeks. So I don't feel the same need to write about it at this point. When Paul created it back in 1999, there weren't any shows about geeks and potheads, and now that's the entire culture. There's so much stuff.

As seemingly antithetical as it is to say such a thing, Judd Apatow is right in implying Freaks and Geeks would very likely lose some of its inherent appeal if it returned to modern audiences in any form, whether as a reunion or with a new set of characters. Though shows like My So-Called Life previously gave voice to outcast teens, Freaks and Geeks was the epitome of showcasing what was then still a counter-culture community. But in its aftermath came the gargantuan rise of both geek culture and weed culture -- which surprisingly did not find its master-culmination in Seth Rogen's The Green Hornet -- and it's now harder to find TV shows that don't incorporate pop culture and stoners into the story. Would Silicon Valley exist without Freaks and Geeks?

In a similar vein, I asked Judd Apatow if he'd given any thought to revisiting the characters from Undeclared, and he expanded upon the point of why he isn't so invested in returning to his former TV projects.

I never think about updating things. I like the idea of possibly doing This is 40 sequels down the line. It feels built for that. But with television shows, I like watching it when other people do it. But I always feel like I've burnt out my creative vein on something by the time it ends, and I don't usually have anything else to say.

Another completely understandable reason, as depressing as it may be. Freaks and Geeks went into development around 20 years ago, when Apatow was around 30 years old and in a mindframe that was much closer to the renegade youths of Freaks and Geeks and Undeclared. Now at 50, the filmmaker probably doesn't have quite as much to offer by way of keen insights into the mystery of puberty and adolescence, at least outside of stand-up sets. Even though we're not sure anyone could run out of ways to write about Neal and Morty.

All hope shouldn't be lost, however! Even though we will probably never see Judd Apatow reteaming with Paul Feig for more Freaks and Geeks, we still might get to see him take on another narrative that explores other notions of childhood that he hadn't previously tackled. It doesn't sound like it'll be a TV show, though.

I probably at some point will make a movie about the childhood years. I always have a lot of compassions for the struggles of kids, and the world is changing so quickly, and it's so much more difficult in many bizarre ways that I assume I'll return to it at some point.

Shall we start petitioning for Judd Apatow to make a live-action adaptation of the classic Nicktoon Rugrats? Or is Doug more up his alley? Or will it not be a Nicktoon at all? That last one is probably the winner.

Even though it only lasted a single season, Freaks and Geeks was the foundation for a variety of future projects, since both Judd Apatow and Paul Feig continued to work with the show's cast and crew. It spawned the acting careers of James Franco, Seth Rogen, Linda Cardellini, Martin Starr, Jason Segel and Busy Philipps, while also setting John Francis Daley up for a comedy screenwriting career. The show also gave new life to icons like SCTV's Joe Flaherty and Back to the Future's Thomas Wilson. Anyone who wants to relive the fun can watch the entire series on Netflix.

Netflix is also where fans can find Judd Apatow: The Return, which is streaming right now. To see what else the entertainment giant has on the way, check out our 2018 Netflix premiere schedule, and then hop over to our 2018 midseason premiere schedule to see everything else coming soon.

Nick Venable
Assistant Managing Editor

Nick is a Cajun Country native and an Assistant Managing Editor with a focus on TV and features. His humble origin story with CinemaBlend began all the way back in the pre-streaming era, circa 2009, as a freelancing DVD reviewer and TV recapper.  Nick leapfrogged over to the small screen to cover more and more television news and interviews, eventually taking over the section for the current era and covering topics like Yellowstone, The Walking Dead and horror. Born in Louisiana and currently living in Texas — Who Dat Nation over America’s Team all day, all night — Nick spent several years in the hospitality industry, and also worked as a 911 operator. If you ever happened to hear his music or read his comics/short stories, you have his sympathy.